Showing posts with label Jose Rizal. Show all posts
Showing posts with label Jose Rizal. Show all posts

Monday, December 30, 2019

Jose Rizal’s “Mi Ultimo Adios” was translated by Supremo Andres Bonifacio in Tagalog, titled it “Pahimakas.”

























On the afternoon of December 29, 1896, a day before the execution, Jose Rizal was visited by his mother, Teodora Alonzo, his sisters Lucia, Josefa, Trinidád, Maria, Narcisa and two of his nephews. When they were about to leave, Rizal told Trinidád in English that there was something in the small alcohol stove (cocinilla). The stove was given to Narcisa by the guard when they were about to board their carriage. Reaching home, Rizal’s family found a folded paper in the stove. On it was written an unsigned, untitled and undated poem with 14 five-line stanzas. The Rizal’s family reproduced copies of the poem and sent them to Rizal's friends in the country and abroad. In 1897, Mariano Ponce in Hong Kong had the poem printed with the title "Mi Ultimo Pensamiento." Fr. Mariano Dacanay, who received a copy of the poem while a prisoner in Bilibid, Prison had it published in the first issue of La Independenciaon Sept. 25, 1898 with the title “Ultimo Adios.”
After the execution of Rizal, Josephine Bracken with Rizal’s brother Paciano and sister Trinidad came at past one o'clock in the afternoon of December 30, 1896 at San Francisco de Malabon (now General Trias). Andres Bonifacio, the Katipunan Supremo, received the Rizals himself at the house of Mrs. Estefania Potente where he was staying. The Supremo was requested by the Rizals to translate Rizal’s poem to Tagalog. Bonifacio asked if he could keep for some time a copy of Rizal’s poem so that he could translate it into Tagalog with the assistance of Diego Mojica, President of the Popular Council Mapagtiis and local Cavite poet and writer in Tagalog. This is how the Spanish poem “Mi Ultimo Adios” of Jose Rizal was translated into Tagalog by Supremo Andres Bonifacio:
PAHIMAKAS
Pinipintuho kong Bayan ay paalam,
Lupang iniirog ng sikat ng araw,
mutyang mahalaga sa dagat Silangan,
kaluwalhatiang sa ami’y pumanaw.
Masayang sa iyo’y aking idudulot
ang lanta kong buhay na lubhang malungkot;
maging maringal man at labis ang alindog
sa kagalingan mo ay akin ding handog.
Sa pakikidigma at pamimiyapis
ang alay ng iba’y ang buhay na kipkip,
walang agam-agam, maluwag sa dibdib,
matamis sa puso at di ikahahapis.
Saan man mautas ay di kailangan,
cipres o laurel, lirio ma’y patungan
pakikipaghamok, at ang bibitayan,
yaon ay gayon din kung hiling ng Bayan.
Ako’y mamamatay, ngayong namamalas
na sa Silanganan ay namamanaag
yaong maligayang araw na sisikat
sa likod ng luksang nagtabing na ulap.
Ang kulay na pula kung kinakailangan
na maitina sa iyong liwayway,
dugo ko’y isaboy at siyang ikikinang
ng kislap ng iyong maningning na ilaw.
Ang aking adhika sapul magkaisip
noong kasalukuyang bata pang maliit,
ay ang tanghaling ka at minsang masilip
sa dagat Silangan hiyas na marikit.
Natuyo ang luhang sa mata’y nunukal,
taas na ang noo’t walang kapootan,
walang bakas kunot ng kapighatian
gabahid man dungis niyong kahihiyan.
Sa kabuhayan ko ang laging gunita
maningas na aking ninanasa-nasa
ay guminhawa ka ang hiyas ng diwa
paghingang papanaw ngayong biglang-bigla.
Ikaw’y guminhawa laking kagandahang
akoy malugmok, at ikaw ay matanghal,
hininga’y malagot, mabuhay ka lamang
bangkay ko’y maisilong sa iyong Kalangitan.
Kung sa libingan ko’y tumubong mamalas
sa malagong damo mahinhing bulaklak,
sa mga labi mo’y mangyayaring ilapat,
sa kaluluwa ko halik ay igawad.
At sa aking noo nawa’y iparamdam,
sa lamig ng lupa ng aking libingan,
ang init ng iyong paghingang dalisay
at simoy ng iyong paggiliw na tunay.
Bayaang ang buwan sa aki’y ititig
ang liwanag niyang lamlam at tahimik,
liwayway bayaang sa aki’y ihatid
magalaw na sinag at hanging hagibis.
Kung sakasakaling bumabang humantong
sa krus ko’y dumapo kahit isang ibon,
doon ay bayaan humuning hinahon
at dalitin niya payapang panahon.
Bayaan ang ningas ng sikat ng araw
ula’y pasingawin noong kainitan,
magbalik sa langit ng buong dalisay
kalakip ng aking pagdaing na hiyaw.
Bayaang sino man sa katotong giliw
tangisang maagang sa buhay pagkitil;
kung tungkol sa akin ay may manalangin
idalangin, Bayan, yaring pagkahimbing.
Idalanging lahat yaong nangamatay,
Nangag-tiis hirap na walang kapantay;
mga ina naming walang kapalaran
na inihihibik ay kapighatian.
Ang mga balo’t pinapangulila,
ang mga bilanggong nagsisipagdusa;
dalanginin namang kanilang makita
ang kalayaan mong ikagiginhawa.
At kung ang madilim na gabing mapanglaw
ay lumaganap na doon sa libinga’t
tanging mga patay ang nangaglalamay,
huwag bagabagin ang katahimikan.
Ang kanyang hiwaga’y huwag gambalain;
kaipala’y marinig doon ang taginting,
tunog ng gitara’t salterio’y magsaliw,
ako, Bayan yao’t kita’y aawitan.
Kung ang libingan ko’y limot na ng lahat
at wala ng kurus at batong mabakas,
bayaang linangin ng taong masipag,
lupa’y asarolin at kahuya’y ikalat.
Ang mga buto ko ay bago matunaw,
mauwi sa wala at kusang maparam,
alabok na iyong latag ay bayaang
siya ang babalang doo’y makipisan.
Kung magkagayon ma’y, alintanahin
na ako sa limot iyong ihabilin,
pagka’t himpapawid at ang panganorin,
mga lansangan mo’y aking lilibutin.
Matining na tunog ako sa dinig mo,
ilaw, mga kulay, masamyong pabango,
ang ugong at awit, paghibik ko sa iyo,
pag-asang dalisay ng pananalig ko.
Bayang iniirog, sakit niyaring hirap,
Katagalugan kong pinakaliliyag,
dinggin mo ang aking pagpapahimakas;
diya’y iiwan ko sa iyo ang lahat.
Ako’y patutungo sa walang busabos,
walang umiinis at berdugong hayop;
pananalig doo’y di nakasasalot,
si Bathala lamang doo’y haring lubos.
Paalam, magulang at mga kapatid
kapilas ng aking kaluluwa’t dibdib
mga kaibigan, bata pang maliit,
sa aking tahanan di na masisilip.
Pag-papasalamat at napahinga rin,
paalam estranherang kasuyo ko’t aliw,
paalam sa inyo, mga ginigiliw;
mamatay ay siyang pagkakagupiling!
- ka tony

Monday, December 28, 2015

Manila 29 de Deciembre de 1896 - Jose P. Rizal's Retraction





































Leon Maria Guerrero author of "The First Filipino" book about Rizal, asked... "Was he innocent or guilty? ...If innocent, why is he a hero? ...If guilty, how can he be a martyr?"

The same questions I asked myself and the answers I have on these questions, I'm leaning towards the retraction of Rizal:
# ...to dissociate himself from the rebellion Rizal offered his services as a military doctor, after staying in Spain for about 8 hours on the way to Cuba October 6, 1896, Rizal was notified to board the boat "S.S. Colon." The boat packed with soldiers, departed at eight o'clock in the evening for the Philippines to face trial & his eventual execution.
# ...while imprisoned in Fort Santiago, he issued a manifesto disavowing the Katipunan revolution & declaring that the education of Filipinos & their achievement of a national identity were prerequisites to freedom; he was to be tried before a court-martial for rebellion, sedition & conspiracy. Governor-General Ramon Blanco who was sympathetic to Rizal had been forced out of office on December 13. The governor had been attacked by conservative forces (which included the so-called frailocracia -the Dominican friars exercising more power than the civilian government) for being too conciliatory towards the Filipinos who sought independence. Rizal was executed on December 30, an act to which Blanco objected. Blanco later was to present his sash and sword to the Rizal family as an apology.

# ...two Jesuit priests Fathers Padre Balaguer & Padre Luis Viza & Captain Rafael Dominguez were with Rizal during his last hours in the prison cell and were witnesses Rizal signed the retraction. Texts of Rizal’s Retraction the "original" discovered by Fr. Manuel Garcia, C.M. on May 18, 1935 which stated...

"Me declaro catolica y en esta Religion en que naci y me eduque quiero vivir y morir.
Me retracto de todo corazon de cuanto en mis palabras, escritos, inpresos y conducta ha habido contrario a mi cualidad de hijo de la Iglesia Catolica. Creo y profeso cuanto ella enseña y me somento a cuanto ella manda. Abomino de la Masonaria, como enigma que es de la Iglesia, y como Sociedad prohibida por la Iglesia. Puede el Prelado Diocesano, como Autoridad Superior Eclesiastica hacer publica esta manifastacion espontanea mia para reparar el escandalo que mis actos hayan podido causar y para que Dios y los hombers me perdonen.
Manila 29 de Deciembre de 1896
Jose Rizal"


(**English translation)...
"I retract with all my heart whatever in my words, writings, publications and conduct has been contrary to my character as son of the Catholic Church. I believe and I confess whatever she teaches and I submit to whatever she demands. I abominate Masonry, as the enemy which is of the Church, and as a Society prohibited by the Church. The Diocesan Prelate may, as the Superior Ecclesiastical Authority, make public this spontaneous manifestation of mine in order to repair the scandal which my acts may have caused and so that God and people may pardon me.
Manila 29 of December of 1896
Jose Rizal"


# ..."La Voz Española" ..."The original document of Rizal’s "retraction" was found in the archdiocesan archives in 1935, 39 years after having disappeared the day Rizal was shot. There was no record of anybody seeing this original document in 1896, except the publishers of La Voz Española, which published its contents on the day of Rizal’s execution: "We have seen and read his (Rizal’s) own handwritten retraction which he sent to our dear and venerable Archbishop…
"Most experts think that the handwriting on the document is authentic. However, scholars are baffled as to why Rizal, who courageously faced persecution for most of his life and who was finally sentenced to death for his beliefs, would suddenly balk at the last, futile moment."

# Rizal and Josephine Bracken applied for a marriage license which was denied by the church authorities. The question is how Rizal actually married Josephine Bracken if he did not retract & be a Catholic again which Josephine claims that Rizal actually married her a day before his execution. The couple were married with Fr. Victor Balaguer, S.J. as the officiating priest. This was at 5:30 a.m. on December 30, 1896, about two hours before he was shot at Bagumbayan.
"Father Balaguer swears that he married José and Josephine about fifteen minutes before the time for the execution. But the marriage record could not be found in the Manila Cathedral nor in the Registry of Fort Santiago where it ought to have been place. This raised doubt. Rizal's sister Lucia, who went with Josephine to the chapel that morning, saw a priest in vestments, but said she did not see the ceremony. One fact supports the marriage statement. Rizal wrote in a copy of The Imitation of Christ, by Thomas a Kempis, these words: "To my dear and unhappy wife, Dec. 30, 1896."

The strongest circumstantial evidence for the wedding comes from Rizal's sister Maria. When she went to say farewell the last night, Jose said to her...
"Maria, I am going to marry Josephine. I know you all oppose it, especially you, yourself. But I want to give Josephine a name. Besides you know the verse in the Bible, 'The sins of the fathers shall be visited upon the children to the third and forth generation.' I do not want them to persecute you or her for what I have done."


# ...11 eyewitnesses when Rizal wrote his retraction, signed a Catholic prayer book and recited Catholic prayers and the multitude who saw him kiss the crucifix before his execution. A great grand nephew of Rizal, Fr. Marciano Guzman, cites that Rizal's 4 confessions were certified by 5 eyewitnesses, 10 qualified witnesses, 7 newspapers and 12 historians and writers including Aglipayan bishops, Masons and anti-clerical. One witness was the head of the Spanish Supreme Court at the time of his notarized declaration and was highly esteemed by Rizal for his integrity.

# ...Rizal's poem is more aptly titled, "Adios, Patria Adorada" (literally "Farewell, Beloved Fatherland"), by virtue of logic and literary tradition, the words coming from the first line of the poem itself. Mariano Ponce in Hong Kong had the poem printed with the title "Mi Ultimo Pensamiento." This poem was unsigned, untitled and undated... why? Was Rizal anticipating total acquittal or pardon?

# ...after the execution of Rizal, Josephine, with Paciano and Trinidad Rizal (her brother and sister-in-law, the latter a Katipunera and a Mason), according to Santiago Alvarez's Memoirs, said that the Rizals came at past one o'clock in the afternoon of December 30, 1896 at San Francisco de Malabon (now General Trias). Andres Bonifacio, the Katipunan supremo, received the Rizals himself at the house of Mrs. Estefania Potente where he was staying. Was requested by the Rizals to translate Rizals poem to Tagalog. Bonifacio asked if he could keep for some time a copy of Rizal’s poem so that he could translate it into Tagalog with the assistance of Diego Mojica, President of the Popular Council Mapagtiis and local Cavite poet and writer in Tagalog... again why? After Rizal condemned the Supremo's Katipunan?

# ...why was Rizal's body after the execution, just placed in a sack, buried in Paco Catholic Cemetery. Masons, non Catholics are forbidden to be buried in Catholic Cemeteries. My grandfather Lolo Isabelo Donato a Grand-Master Mason who died much later than Rizal was cremated as other masons before him, for they have no place to be buried.

# ...its important to note that unlike Rizal, the three catholic priests; Gomez, Burgos and Zamora after their execution by garrote, the 13 Martyrs of Bagumbayan, their bodies were placed in a sack and bodies of the three priests were buried in a common, unmarked grave in Paco Cemetery. In 1998, while Manila City engineers were fixing one of the ladies room of Paco Cemetery, bones of the three priests were discovered. Note that GOMBURZA were catholic priests, only accused of a failed rebellion, their bodies where dumped in the cemetery, unmarked. Rizal's body after his execution at least have a tomb with a cross, in Catholic Paco Cemetery, with his initials R.P.J. reversed initials for "Rizal Protacio Jose" because Spanish authorities scared that his body might be exhumed. This is another sign, that he probably retracted.

Analysis on Rizal's retraction:
At least four texts of Rizal's retraction have surfaced. The fourth text appeared in El Imparcial on the day after Rizal’s execution; it is the short formula of the retraction.
The first text was published in La Voz Española and Diaro de Manila on the very day of Rizal’s execution, December 30, 1896. The second text appeared in Barcelona, Spain, on February 14, 1897, in the fortnightly magazine in La Juventud; it came from an anonymous writer who revealed himself fourteen years later as Fr. Balaguer. The "original" text was discovered in the archdiocesan archives on May 18, 1935, after it disappeared for thirty-nine years from the afternoon of the day when Rizal was shot.

We know not that reproductions of the lost original had been made by a copyist who could imitate Rizal’s handwriting. This fact is revealed by Fr. Balaguer himself who, in his letter to his former superior Fr. Pio Pi in 1910, said that he had received "an exact copy of the retraction written and signed by Rizal. The handwriting of this copy I don’t know nor do I remember whose it is... "He proceeded: "I even suspect that it might have been written by Rizal himself. I am sending it to you that you may verify whether it might be of Rizal himself" ...Fr. Pi was not able to verify it in his sworn statement.

This "exact" copy had been received by Fr. Balaguer in the evening immediately preceding Rizal’s execution, Rizal y su Obra, and was followed by Sr. Wenceslao Retana (Spanish civil servant, colonial administrator, writer, publisher and bibliophile) in his biography of Rizal, "Vida y Escritos del Jose Rizal" with the addition of the names of the witnesses taken from the texts of the retraction in the Manila newspapers. Fr. Pi’s copy of Rizal’s retraction has the same text as that of Fr. Balaguer’s "exact" copy but follows the paragraphing of the texts of Rizal’s retraction in the Manila newspapers.

Regarding the "original" text, no one claimed to have seen it, except the publishers of La Voz Espanola. That newspaper reported: "Still more; we have seen and read his (Rizal’s) own hand-written retraction which he sent to our dear and venerable Archbishop…" On the other hand, Manila pharmacist F. Stahl wrote in a letter: "besides, nobody has seen this written declaration, in spite of the fact that quite a number of people would want to see it. "For example, not only Rizal’s family but also the correspondents in Manila of the newspapers in Madrid, Don Manuel Alhama of El Imparcial and Sr. Santiago Mataix of El Heraldo, were not able to see the hand-written retraction.

Neither Fr. Pi nor His Grace the Archbishop ascertained whether Rizal himself was the one who wrote and signed the retraction. (Ascertaining the document was necessary because it was possible for one who could imitate Rizal’s handwriting aforesaid holograph; and keeping a copy of the same for our archives, I myself delivered it personally that the same morning to His Grace Archbishop…

His Grace testified: At once the undersigned entrusted this holograph to Rev. Thomas Gonzales Feijoo, secretary of the Chancery." After that, the documents could not be seen by those who wanted to examine it and was finally considered lost after efforts to look for it proved futile.

On May 18, 1935, the lost "original" document of Rizal’s retraction was discovered by the archdeocean archivist Fr. Manuel Garcia, C.M. The discovery, instead of ending doubts about Rizal’s retraction, has in fact encouraged it because the newly discovered text retraction differs significantly from the text found in the Jesuits’ and the Archbishop’s copies. And, the fact that the texts of the retraction which appeared in the Manila newspapers could be shown to be the exact copies of the "original" but only imitations of it. This means that the friars who controlled the press in Manila (for example, La Voz Española) had the "original" while the Jesuits had only the imitations.

We now proceed to show the significant differences between the "original" and the Manila newspapers texts of the retraction on the one hand and the text s of the copies of Fr. Balaguer and F5r. Pio Pi on the other hand.
# 1st - instead of the words "mi cualidad" (with "u") which appear in the original and the newspaper texts, the Jesuits’ copies have "mi calidad" (with "u").

# 2nd - the Jesuits’ copies of the retraction omit the word "Catolica" after the first "Iglesias" which are found in the original and the newspaper texts.


# 3rd - the Jesuits’ copies of the retraction add before the third "Iglesias" the word "misma" which is not found in the original and the newspaper texts of the retraction.


# 4th - with regards to paragraphing which immediately strikes the eye of the critical reader, Fr. Balaguer’s text does not begin the second paragraph until the fifth sentences while the original and the newspaper copies start the second paragraph immediately with the second sentences.


# 5th - whereas the texts of the retraction in the original and in the manila newspapers have only four commas, the text of Fr. Balaguer’s copy has eleven commas.


# 6th - the most important of all, Fr. Balaguer’s copy did not have the names of the witnesses from the texts of the newspapers in Manila.


In his notarized testimony twenty years later, Fr. Balaguer finally named the witnesses. He said... "This retraction was signed together with Dr. Rizal by Señor Fresno, Chief of the Picket and Señor Moure, Adjutant of the Plaza." However, the proceeding quotation only proves itself to be an addition to the original. Moreover, in his letter to Fr. Pi in 1910, Fr. Balaguer said that he had the "exact" copy of the retraction, which was signed by Rizal, but her made no mention of the witnesses. In his accounts too, no witnesses signed the retraction.

How did Fr. Balaguer obtain his copy of Rizal’s retraction? Fr. Balaguer never alluded to having himself made a copy of the retraction although he claimed that the Archbishop prepared a long formula of the retraction and Fr. Pi a short formula. In Fr. Balaguer’s earliest account, it is not yet clear whether Fr. Balaguer was using the long formula of nor no formula in dictating to Rizal what to write. According to Fr. Pi, in his own account of Rizal’s conversion in 1909, Fr. Balaguer dictated from Fr. Pi’s short formula previously approved by the Archbishop. In his letter to Fr. Pi in 1910, Fr. Balaguer admitted that he dictated to Rizal the short formula prepared by Fr. Pi; however; he contradicts himself when he revealed that the "exact" copy came from the Archbishop. The only copy, which Fr. Balaguer wrote, is the one that appeared ion his earliest account of Rizal’s retraction.

Where did Fr. Balaguer’s "exact" copy come from? We do not need long arguments to answer this question, because Fr. Balaguer himself has unwittingly answered this question. He said in his letter to Fr. Pi in 1910:

"…I preserved in my keeping and am sending to you the original texts of the two formulas of retraction, which they (You) gave me; that from you and that of the Archbishop, and the first with the changes which they (that is, you) made; and the other the exact copy of the retraction written and signed by Rizal. The handwriting of this copy I don’t know nor do I remember whose it is, and I even suspect that it might have been written by Rizal himself."

In his own word quoted above, Fr. Balaguer said that he received two original texts of the retraction. The first, which came from Fr. Pi, contained "the changes which You (Fr. Pi) made"; the other, which is "that of the Archbishop" was "the exact copy of the retraction written and signed by Rizal" (underscoring supplied). Fr. Balaguer said that the "exact copy" was "written and signed by Rizal" but he did not say "written and signed by Rizal and himself" (the absence of the reflexive pronoun "himself" could mean that another person-the copyist-did not). He only "suspected" that "Rizal himself" much as Fr. Balaguer did "not know nor remember" whose handwriting it was.

Thus, according to Fr. Balaguer, the "exact copy" came from the Archbishop! He called it "exact" because, not having seen the original himself, he was made to believe that it was the one that faithfully reproduced the original in comparison to that of Fr. Pi in which "changes" (that is, where deviated from the "exact" copy) had been made. Actually, the difference between that of the Archbishop (the "exact" copy) and that of Fr. Pi (with "changes") is that the latter was "shorter" be cause it omitted certain phrases found in the former so that, as Fr. Pi had fervently hoped, Rizal would sign it.

According to Fr. Pi, Rizal rejected the long formula so that Fr. Balaguer had to dictate from the short formula of Fr. Pi. Allegedly, Rizal wrote down what was dictated to him but he insisted on adding the phrases "in which I was born and educated" and "Masonary" as the enemy that is of the Church" – the first of which Rizal would have regarded as unnecessary and the second as downright contrary to his spirit. However, what actually would have happened, if we are to believe the fictitious account, was that Rizal’s addition of the phrases was the restoration of the phrases found in the original which had been omitted in Fr. Pi’s short formula.

The "exact" copy was shown to the military men guarding in Fort Santiago to convince them that Rizal had retracted. Someone read it aloud in the hearing of Capt. Dominguez, who claimed in his "Notes that Rizal read aloud his retraction. However, his copy of the retraction proved him wrong because its text (with "u") and omits the word "Catolica" as in Fr. Balaguer’s copy but which are not the case in the original. Capt. Dominguez never claimed to have seen the retraction: he only "heard."
It is very important to note that the truth is that, almost two years before his execution, Rizal had written a retraction in Dapitan. Very early in 1895, Josephine Bracken came to Dapitan with her adopted father who wanted to be cured of his blindness by Dr. Rizal; their guide was Manuela Orlac, who was agent and a mistress of a friar. Rizal fell in love with Josephine and wanted to marry her canonically but he was required to sign a profession of faith and to write retraction, which had to be approved by the Bishop of Cebu. "Spanish law had established civil marriage in the Philippines," Prof. Craig wrote, but the local government had not provided any way for people to avail themselves of the right..."

In order to marry Josephine, Rizal wrote with the help of a priest a form of retraction to be approved by the Bishop of Cebu. This incident was revealed by Fr. Antonio Obach to his friend Prof. Austin Craig who wrote down in 1912 what the priest had told him; "The document (the retraction), inclosed with the priest’s letter, was ready for the mail when Rizal came hurrying I to reclaim it." Rizal realized (perhaps, rather late) that he had written and given to a priest what the friars had been trying by all means to get from him.

Neither the Archbishop nor Fr. Pi saw the original document of retraction. What they was saw a copy done by one who could imitate Rizal’s handwriting while the original (almost eaten by termites) was kept by some friars. Both the Archbishop and Fr. Pi acted innocently because they did not distinguish between the genuine and the imitation of Rizal's handwriting.
- ka tony
the 17th of February '14
- many thanks to Ka Jim Richardson for the image of Rizal's retraction document.

Monday, October 14, 2013

Jose Rizal incarcerated at Castell de Montjuïc, Barcelona, Spain, October 6, 1896






































During the peak of the Cuban revolution, Jose Rizal offered his services as a military doctor to compromise with the shortage of physicians because of the revolution that was going on that other Spanish Colony. It was his friend Ferdinand Blumentritt who informed him of the situation in Cuba and suggested that he volunteer himself as army doctor. On December 17, 1895, Rizal sent a letter to Governor-General Ramon Blanco rendering his service for Cuba. But for months Rizal awaited for the governor's reply, loss hope that his request will be granted, but on July 30, 1896, Rizal received a letter from Governor Blanco, dated July 2, 1896, accepting his offer. The letter also stated that Rizal will be given a pass so that he can go to Manila, then to Spain where its Minister of War will assign him to the Army of Operations in Cuba.

Governor-General Ramon Blanco letter to the Minister of War, stated that Rizal during his deportation in Dapitan his conduct was exemplary and he had no connection or involvement with the Philippine Revolution. Rizal was granted permission to travel to Cuba, to support in the medical efforts needed to suppress an outbreak of yellow fever and to treat wounded Spanish soldiers.

At midnight of July 31, 1896, Rizal left Dapitan on board the steamer "España" and on August 6, at dawn "España" entered Manila Bay. He was not able to depart immediately for Spain, because the ship "Isla de Luzon" which Rizal was supposed to board left the day before they arrived at Manila. For twenty-seven days, from Thursday, August 6, to Wednesday, September 2, Rizal was kept under arrest aboard the cruiser, Castilla, anchored off Cañacao, Cavite but was free to roam around and allowed to accept visitors. At 6:00 o’clock in the evening Rizal was transferred to the boat "Isla de Panay." He was met by the captain of the boat, Capt. Alemany and was given the best cabin. Later, he wrote a letter to his mother informing her of his good health on board the ship and of his departure for Cuba, comforting her that everybody is in the hands of the Divine Providence. To his sisters, he urged them to take good care and love their parents.

Following day, Rizal was given a new cabin, No. 22, with a divan. The boat anchored near Manila to load passengers, among whom were Pedro Roxas, Maria Tuason and Pedro A. Paterno the boat left Manila. Exactly 30 days of travel, the "Isla de Panay" arrived in Barcelona. The passengers were placed under quarantine for three days.

At three o’clock in the morning of October 6, 1896, a sergeant woke Rizal up in his cabin, ordering him to prepare his baggage. At four o’clock, Rizal was taken away from the boat by one military man and another in civilian clothes. Rizal arrived at the Catalan province of Montjuich, Barcelona at exactly five o’clock, after one-hour walk under heavy guard Rizal was imprisoned in a castle by Spanish authorities. "Castell de Montjuïc" is an old military fortress with a long history closely linked to the city is a municipal facility located on a rocky terrace on top of Montjuïc Mountain, a site where important Catalan dissidents or free thinkers were detained and executed.

At two o’clock in the afternoon, after staying in Castell de Montjuïc for about 8 hours, Rizal was notified by the same officer called Tudela to get his baggage ready in order to board the boat "S.S. Colon." Rizal had to do everything in a hurry under the threats and shouts of the captain. The boat packed with soldiers, departed at eight o’clock in the evening for the Philippines to face trial and his eventual execution.

Rizal condemned the Philippine Revolution by saying...

"On my return from Spain, I learned that my name had been used as a war cry among some who were in arms. From the beginning, when I had news of what was being planned, I opposed it, fought it, and demonstrated its absolute impossibility. this is the truth, and there are living witnesses of my words. I was convinced that the idea (the revolution) was highly absurd and what was worse, would bring suffering. I did more. When later, in spite of my counsels, the movement broke out. I spontaneously offered not only my services but my life and even my name to be used in any manner thought opportune in order to suppress the rebellion.

Holding this ideas, I cannot do less than to condemn, and I do condemn, this absurd and savage rebellion, plotted behind my back, which dishonors the Filipinos and discredits those who could can be our advocates. I abhor this criminal activities and reject any manner of participation in them, condoling with all heartfelt sadness with those who have been unwary enough to have been fooled. Return then, to your homes, and may God forgive those who have acted in bad faith."

Further on with his defense: "...I know nothing of the Katipunan and have had no relations or correspondence with them. I do not know Andres Bonifacio, even by name. I have absolutely nothing to do with politics from the 6th July 1892 until the 1st of July 1896 when I was informed by Pio Velenzuela that an uprising would be attempted, I advised against it and tried to reason him out of it."

...Rizal passionately defended himself from the charges that he was involved in or even sympathized with the revolution, hardly an attitude we would honor him for. My question is... Was he innocent or guilty? ...If innocent - why is he a hero? ...If guilty - how can he be a martyr?
- ka tony
- the 6th of October, '13